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The scene proceeds without a hitch, until what seems like an unexpected flurry of snow starts to fall. One character, whose truck has blown a flat tire, is helped by the local sheriff, an amiable sort of agrarian fellow, despite his prominent swastika-ed armband. One scene in the show’s pilot depicts a routine traffic stop. The show’s 1962 is cleverly (and darkly) distorted in unsettling ways to shake up its viewer’s conception of how America is, or how it “should” be. My evaluation of the show, therefore, will be spoiler-free, and mostly plotless this is a show whose immersive glory lies in its aesthetics. In watching the series, despite its undeniably strong central cast and strong (though certainly not flawless) plot, I could not help being equally, if not more, fascinated by the world of the show, where a Japanese officer can commit seppuku in broad daylight in the heart of a Californian metropolis.
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It is this world which stands on the brink of a nuclear confrontation between the erstwhile allies, whose geopolitical machinations take center stage as much as the individual dramas of the show’s protagonists. A lawless DMZ, called the Neutral Zone, serves as a Midwest buffer between the two powers.
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and Adolf Hitler’s Germany the streets of New York are patrolled by brutish brownshirts, the Horst-Wessel-Lied plays on weekend TV broadcasts, and the typical greeting between suburbanites is a disarming “Sieg Heil!” The West Coast, in turn, is under Tokyo’s thumb Californians are subject to searching and brutalizing by the Kempeitai, and the palm tree boulevards of San Francisco have been transformed into a dense maze of Aikido dojos and seedy Yakuza brothels. The East Coast is ruled in the shadow of the S.S. into a smoldering crater and wiped out all American resistance, have divided their new North American conquest in two. In the show’s chilling would-be universe, the Axis Powers, having bombed Washington D.C.
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This is true on the standout "Map," on which Evrum's duet with child-like songstress Mirah is mixed low beneath an organic wall of sound with a playful melody.Īrchived article by Ed Howard DecemArts & Culture An Alternate History: The Man in the High Castle By Griffin Smith-Nichols | December 3, 2015Īmazon Studios’ newly-released streaming series The Man in the High Castle provides that precise image, and much, much more. Mostly, Evrum aims for establishing a unified mood, with the vocals often buried in a soup of guitars. Lyrically, the theme of fire runs throughout the album, but often the lyrics are secondary to the music. The aptly titled "instrumental" is a gorgeous minute and a half, as rapid acoustic picking transitions into a lush section with tumbling bass drums, soulful snapping, and tinkling piano. The title track constantly shifts from punky stomp, to acoustic ballad, to organ-driven lament. 2 is perhaps his strongest album yet, from the lovely opening "I Want Wind to Blow" to the quirky "You'll be in the Air."
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His jangly guitars, oddly-phrased vocals, and washes of distorted fuzz are instantly recognizable, making each new Microphones release a comfortable pleasure. Phil Evrum, the man behind the Microphones, is a genius of lo-fi pop.